A Yankee Comes South: My Mother
My Mother’s Studio
When she bows over the metal wheel,
elbows resting against her thighs,
hands shaping the turning clay;
and when she rolls up, wheel paused,
and reaches behind with a wet, gray hand
for the rib lying on the table
then dips the rib and both hands
into a bucket of cloudy water
and dripping, leans in again:
the waterfall outside roils in the afternoon,
through the window sunlight falls
into the dusty air and lies warm on the table,
books of paintings by Cézanne,
Van Gogh, and Chagall, and a tape
of Bach’s variations lean next to her fired,
finished pots that wait on the shelf
by the door—five mugs, low and wide,
a stack of temoku bowls,
and penguins, glazed matte black,
looking in all directions
as if wondering how they arrived
in a pottery studio in Vermont, and who is this woman,
their apparent creator, with the spiky hair,
and the clay-smudged glasses.
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